Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

Against the Current: Art, National Identity, and a Modernist Critique features the paintings of eminent Nepali artist Lain Singh Bangdel. Born and raised on a tea plantation in Darjeeling, India, Bangdel went on to study visual art in Kolkata (Calcutta) and Paris, eventually serving in leadership positions in the Royal Nepal … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →

This exhibition features abstract art (1953 – 2023) from Otterbein’s permanent collection. The scope includes Otterbein students and faculty, as well as other local and global artists. The selections explore how abstraction can function as a unifying language of human experience, ideas, and emotions. Immerse yourself in the colors, forms, … Continue reading →